More Backtrack as Trip Winds Down

I got an email today from my dad, an avid sailor, with a report on the sail­ing races here in Rio for the Pan Amer­i­can games.

…some­how our start­ing line was placed in the mid­dle of a liq­uid garbage dump. There were plas­tic gro­cery bags semi sub­merged all over the place. There were palm frons. There were leaves. There was a win­dow frame with a screen still installed in it. I’m going to assume the rest of the house must have sunk. This is mildly off-putting, but one of the Hobie-16 sailors reported see­ing what was either a dead dog or a dead pig float­ing some­where near the port lay­line. (source)

As amus­ing and pos­si­bly accu­rate as the descrip­tion is, the tone reflect much of the for­eign com­men­tary that has arro­gantly billed Rio as a remote, under­de­vel­oped place. The hight of this hap­pened sev­eral weeks ago when an employee of the United States Olympic Com­mit­tee wrote, “Wel­come to the Congo!” on a board in their offices. More on that here. It was blown up in the press and that employee was fired, right­fully I would say. The sub­se­quent offense, as described by a friend to me, was that some Brazil­ian tele­vi­sion pro­grams took the tack of mock­ing the Congo in response to the event. Lovely.

The week­end I was a lit­tle stuck due to a bank­ing prob­lem. I can’t get cash out until noon today. As this lim­ited my options and I didn’t want to get myself into trou­ble with­out friends around, I spent most of the time bomb­ing around with a group of punk rock les­bians I have been so fab­u­lously lucky to win the good graces of. They main­tain a col­lec­tive blog called Aba­caxi Com Tofu. Hot. So, five queer ladies and two dogs in a two door VW. It was good times and I will miss them dearly come my depar­ture Thurs­day. That said, I am dying to see my own peps in NYC. Every time I go away, all I can talk about is house shows and bike gangs and cof­fee shops, oh my!

One of my class­mates, Leon, put up his pho­tographs of the stu­dents on hick flickr account. We’re all so cute.

Okay, more bor­ing stuff, at least for­mat wise. Notes from class that I typed up last night.

June 18, 2007 PM
Course Sched­ule and Logis­tics

Impromptu talk by Paulo, our trans­la­tor, who is work­ing on race in higher education.

Hig­e­niza­tion of Black Pop­u­la­tion
1930’s -> focus shifted from sugar cane in North East to cof­fee in south.
Black Front -> mobi­liza­tion to resist “whiten­ing,” dis­man­tled by government

Not much of a con­cept of race -> result of gov­ern­ment attempts to sub­vert issue.
5 cat­e­gories -> white, black, brown, yel­low, indigenous

Bahia’s Uni­ver­sity imposed racial quota. So many upper-class whites sued that they had to add a class ceil­ing on to the quota.

(wish I had taken more notes. Paulo knows his stuff.)

Peter Lucas says: “This is about eval­u­at­ing your tool kit and what you need to ba a pro­fes­sional human rights and media pro­fes­sional.”
(this is impor­tant. I did get a good sense of the answer for this from the class. Will return to it)

June 19, 2007 AM
Kabum!
http://www.kabum.org.br/ (the first in a long series of amaz­ing flash web pages. The Brazil­ians got this web design thing down, even if most of them can’t actu­ally access it)

Rodrigo Bel­chior, rodflauta@hotmail.com
Rua Rodriguez Alves, 847, Santo Cristo (near ship yard and bus sta­tion = easy access and cheep real estate)

07-06-19kabum09.jpg

Teaches graph­ics tech­nol­ogy to kids from favela com­mu­ni­ties
– com­put­ing, design, video, and pho­tog­ra­phy
Also three more mod­ules:
– Palavra = read­ing, writ­ing, music
– Tem­at­ica = human rights, cit­i­zen­ship, com­mu­ni­ca­tion issues
– the­ater arts = light­ing, props, cos­tume design

Pro­gram runs for a year and a half, mar­keted through schools and other orga­ni­za­tions, accepts 80 stu­dents for each program.

Space cho­sen because 95% of the buses in the city pass by here -> that way you can be acces­si­ble to kids from all areas.

Pro­pa­ganda Video -> pre­sented by renowned artist because Kabum! Was started by renowned artist Gringo Can­gia (?)
First clip is from first set of grad­u­ates in June 2000, many are cur­rently in the indus­try, some even work­ing internationally.

Orga­ni­za­tion was started in Rio, now has branches in Sal­vador and Recife

What hap­pens when the kids fin­ish the pro­gram?
The work nucleus and pro­duc­tion nucleus -> relate class work to the mar­ket place and jobs out­side of projects at Kabum.

Music video pro­duced by stu­dent says that the pro­gram taught him to be a citizen

Most of the projects fea­tured in the pre­sen­ta­tion are auto-biographical and self-reflective, look­ing at how the cre­ator of the work has changed for the bet­ter as a result of doing the work.

Strug­gle is for cit­i­zen­ship -> learn­ing how to be and to become a bet­ter citizen.

Change of theme in videos -> trib­ute to an alum’s cousin who died in a mas­sacre in a favela, ani­mated graph­ics, “sta­tis­tics have faces”, chacina -> manslaughter

Rodrigo’s back­ground -> started doing media in com­mu­nity project (com­mu­nity was well known because Michael Jack­son shot a video there, so there was an influx of fund­ing due to media atten­tion) His for­mal train­ing is in music.
He hopes that one day we don’t need to rely on NGOs, but that the gov­ern­ment will do the work.

Funded by Oi and Tele­mar (telecom­mu­ni­ca­tions com­pa­nies), cov­ers the main bulk of the pro­gram costs. Stu­dents receive a stipend to cover travel costs.

Work here is crit­i­cized by pub­lic school sys­tem because it is seen as suck­ing the kids out of for­mal edu­ca­tion into an alter­na­tive sys­tem. Kabum! works to fight ani­mosi­ties from school sys­tem. Proof of atten­dance at reg­u­lar school is required for atten­dance at pro­gram. Kids do tend to put more energy into Kabum work than reg­u­lar school because they see how func­tional and ful­fill­ing Kabum is and want more of their reg­u­lar school, but can’t get it.

When accept­ing stu­dents, Kabum doesn’t con­sider grades because in the Brazil­ian sys­tem it is ille­gal to fail a child, so the marks are not accurate.

The space was a large ware­house, remade with the­ater spaces and tech labs. Well main­tained and well equipped. Stu­dents seemed ener­getic and focused.

June 19, 2007 PM
Viva Favela, Pho­tog­ra­phy col­lec­tive
(part of Viva Rio, http://vivario.org.br. Oper­ates in 15 fave­las)
Wal­ter Mesquiza, Photo Edi­tor, Rodriguez Mora, Photographer

07-06-19vivario25.jpg

Photo col­lec­tive works to sup­ply web con­tent for news page by and about live for favela com­mu­ni­ties. (this is the project that Peter Lucas got the grant from the Open Soci­ety Insti­tute for.)

Pre­sen­ta­tion slide-show -> my obser­va­tions: lots of engage­ment w/ cam­era, atten­tion to and zoom­ing in on details, fam­ily snap shot sen­si­bil­ity mixed with self-awareness that extends beyond fam­ily view. Con­sis­tent theme of exu­ber­ance and play. Basic pho­to­graphic lan­guage + snap shot, organic style

Focus on view of inside going out, “com­mu­nity photos”

X9 -> com­mu­nity was con­cerned ini­tially that the pho­tog­ra­phers were mem­bers of this spy com­po­nent of the police force
Com­mu­nity learned that they had the mis­sion of show­ing both the joy and suf­fer­ing in the com­mu­nity: mis­sion of art

Strength of influ­ence in the VivaFave­las:
Exam­ple: news of Alemão, the com­mu­nity where police occu­pa­tion for the Pan Amer­i­can games is fierce and deadly, main stream media is try­ing to dis­tort the thoughts of the peo­ple, VivaFavela is tak­ing a straight for­ward rout

Within the hills, the vio­lence is imported, not native to the community

Ini­tially the reporters had to seek out sto­ries, now the com­mu­nity seeks the reporters out, call­ing them when some­thing is hap­pen­ing. Now, peo­ple are less ashamed of say­ing where they live.

The drug traf­fick­ers don’t inter­fere with the reporters.

Sees exces­sive police force now as strat­egy so that fave­la­dos can’t come down to Zona Sul for the Pan Amer­i­can Games.

Cov­er­age of vio­lence in favela only focuses on effect on mid­dle class, no on impact on fave­la­dos. Result is that all fave­la­dos are seen as per­pe­tra­tors and mid­dle class seen as victims.

Attempt to suf­fo­cate the naco­traf­i­cantes results in police shut­ting down basic ser­vices like water, tele­phone, schools being shut down.

Fave­las on their own can’t sup­port drug traf­fick­ing because they can’t afford them. Fave­las closer to wealthy neigh­bor­hoods, such as those in Zona Sul, are more vio­lent because there is more of a mar­ket for mid­dle and upper class buyers.

As reporter -> pre­fer to stir com­mu­nity to denounce and help them amplify their voice than make the denun­ci­a­tions them­selves as the press.

vivario07.jpg

The class at Viva Rio.

June 20th, AM — Play tour group: Cor­co­v­ado

Recently voted one of the New 7 Won­ders of the World… I voted for it, but really just because I am in Rio and it seemed like the appro­pri­ate things to do. I think there were bet­ter options. The mar­ket­ing cam­paign was intense. All the buses had huge ads remind­ing you to Vote for Cristo. I don’t think I actu­ally man­aged to take a pic­ture of the statue while I was up there.

07-06-20corcovado26sm.jpg

 

07-06-20corcovado32.jpg

 

07-06-20corcovado48.jpg

07-06-20corcovado70.jpg

 

 

 

June 20, 2007 PM
Comu­nidade Segura, project of VivaRio
, Mayra Juca, Coor­di­na­tor
http://www.comunidadesegura.org/

Web por­tal of infor­ma­tion on issues of human secu­rity and news that relates to there efforts

Goals:
– be an inter­na­tional ref­er­ence on Human Secu­rity in Latin Amer­ica and the Caribbean
– iden­tify solu­tions, not just notify prob­lems
– be source of use­ful infor­ma­tion on good prac­tices, inno­v­a­tive method­olo­gies, and suc­cess­ful pub­lic poli­cies
– put together diverse mate­ri­als for police, pol­icy mak­ers, media mak­ers, and citizens

Back­ground:
– sur­vey to poten­tial users of the web­site in order to iden­tify demand
– con­sult researchers on best method for pub­lish­ing the vir­tual library
– use open source inter­face (dru­pal)
– migrate con­tent from http://coav.org.br and www.desarme.org

The­matic Con­tent Areas:
– secu­rity sec­tor reform, youth and armed vio­lence, arms control

Cross Cut­ting Themes:
– gen­der and vio­lence, drug pol­icy, con­flict resolution

Fun­ders
– Euro­pean Union, The Open Soci­ety Insti­tute, Sec­re­taria Espe­cial de Dire­itos Humanos

Serves as bridge between pol­icy mak­ers and citizens

Team is all women, very high energy and focused, always eager for volunteers.

That evening we watched some films at Ateliê da Imagem.

07-06-20filmes05.jpg

June 21, 2007 AM
Case Study: Dis­ar­ma­ment Cam­paign and Media

Mauri­cio Lissovsky -> Fed­eral Uni­ver­sity of Rio

Media, Pub­lic Opin­ion, and Pop­u­lar Vote
2005 ref­er­en­dum on ban­ning sale of firearms

First ref­er­en­dum ever in Brazil
“Should the sale of firearms and ammu­ni­tion be pro­hib­ited?”
64% voted no, but 2 months before the ref­er­en­dum, 80% said they would vote yes.

How did things change so fast?

Free TV access -> 10 min­utes for each side

Brazil has seen a steep increase in fire arms death rate
From 7.2 per 100,000 in 1982 to 21.2 per 100,000
(rate for black men in fave­las = 230/100,000)

Aims of Civil Soci­ety NGOs
– reduce desire for and access to firearms
– improve con­trol of exist­ing stocks of con­fis­cated weapons
– research on vic­tims and firearms
– advo­cate and lobby for dis­ar­ma­ment statue

Ammu­ni­tion pro­duc­tion is very high in Brazil -> includ­ing expor­ta­tion
Bill passes around above aims but lost pro­hi­bi­tion of guns sales in Brazil.
(very good laws, best in the world, just never enforced!)

Most guns are ini­tially bought legally and then enter the ille­gal mar­ket -> it is a myth that guns are man­u­fac­tured for ille­gal dis­tri­b­u­tion or smug­gled in from abroad.

Once the law was passed, there were a few tasks:
– cam­paign for deliv­er­ing firearms (459,855 collected)

(Peter inter­jects with com­ments on New York recall, early 1990’s, Christ­mas time, turn in a gun and get a $100 gift cer­tifi­cate to FAO Schwartz toy store…)

Per­cep­tions of inse­cu­rity in Brazil
– post-traumatic model –
Can we explain the behav­ior of vot­ers based on their direct expo­sure to vio­lence?
Mauricio’s con­clu­sion: Indi­vid­u­als more exposed to vio­lence are more likely to trust guns, while com­mu­ni­ties exposed to vio­lence are less likely to trust guns.

Media cov­er­age is more directly related to fear than crime, ie. Reportage is not cor­re­spond­ing to actual crime.

Reportage in early 1980s was focused on human rela­tion drama (hus­band kills wife kind of stuff)-> Now more likely to report on crime where the reader is a “vir­tual” or poten­tial vic­tim (busi­ness man abducted and mur­dered by criminals)

To think of our­selves as vir­tual vic­tims is part of our con­tem­po­rary experience

NRA was thor­oughly involved in the ref­er­en­dum in Brazil, test­ing grounds for their media tactics.

NGOs made non-political cam­paign -> type of arro­gance, talk to vot­ers like they are at a basic level.
Biggest mis­take was not fram­ing posi­tion as one of change. Most effec­tive cam­paign strate­gies focus on main­tain­ing what we have or ini­ti­at­ing change. The NGO argu­ment did nei­ther.
Also mis­take of a ped­a­gog­i­cal approach, NGO ten­dency to think that inform­ing peo­ple will result in ‘right’ polit­i­cal action. Argu­ment needs to be framed polit­i­cally for a polit­i­cal change.

Screened videos of com­mer­cials from each side.
NGOs changed their tune sev­eral time in the lead up to the ref­er­en­dum -> first celebri­ties talk­ing, then risk to life,
The Right main­tained the same tune through­out -> need to pro­tect your­self and main­tain your rights (own­ing a gun as a right)